What to do on the 4th of July… Humm… Grill? Done. Catch up with family? Done. Relax? Done. Watch fireworks? Wait a second… How many of you have photographed fireworks? I’m guilty. But who’s photographed fireworks in IR? I’ve never done that, and probably few have. Let’s give it a try.
I climbed on the roof of my house to get a better vantage point and set-up my full spectrum 5D Mk II with a 720nm filter.
I use a Hoodman Loupe for focusing my 5D, since the filter blocks the visible light and makes the viewfinder useless. This technique works quite well for me and is what I’ve been using for more than 5 years. I wrote a blog on the topic.
I knew about where to look for the fireworks. So I installed my Pentax 67 55mm medium format lens and prefocused before it turned dark. It’s more difficult to focus once it is dark. I connected my shutter release and then waited…
At 9 o’clock on the dot, the fireworks began. I was shooting exposures from about 3-10 seconds at ISO 400 and f/5.6. This seemed to work well. Adjustments in framing, focusing and exposure need to be done quickly, as the fireworks continue. I continued to shoot until my memory card was full. It was close to 9:30, which is when the firework show typically ceases. A quick back of the camera indicated that I had captured some interesting shots.
So where were the trouble spots? First, I noticed that the 55mm lens had some significant internal reflections. I’m not sure if this was caused by the filter, or the basic lens design itself. My EF24-70mm f/2.8 has a similar issue with super-contrasting scenes. I’ll have to set-up an experiment to test my lenses under these conditions. I’ll share the results here. The three photos below, though still interesting show the effect of the internal reflection.
Releasing the shutter release mid explosion halts the motion of the firework and provides a truncated look. Note also a second shell climbing to altitude.
The other problem I encountered was the wind. I was standing on my roof and at times needed to grip the tripod to insure that it didn’t take a tumble. Interestingly, the wind also had an effect of blowing the fireworks. Many didn’t have the traditional firework shape, but rather a skewed , wind-swept look. This was also interesting.
Finally, as with any long exposures on digital cameras, there are some required management of hot pixels. Most modern DSLR’s have internal noise processing, But this requires an equal-length dark exposure for each light exposure. So I prefer to do this off-line using the technique outlined here . Since the exposures were fairly short, the hot pixels are manageable, even by manual removal methods.
I did very little post processing of these images. I set the camera with a custom white balance on a green subject. Most images were posted after a little cropping and re-sizing for the blog format, but not much more than that. I did process several in B&W, since that’s my favorite IR medium. Some photos have a bit of an abstract look to them.
By the time the fireworks show was over, the mosquitoes had found me. So I gathered up my tripod, camera bag, loupe and flashlight and headed off the roof. It all ended well and I enjoyed the experience. I hope you’ll give it a try next year.
Happy 4th of July…
Latest articles by Eric Chesak (see all articles)
- IR Fireworks - July 14, 2018
- Medium Format Lenses – Part II - December 11, 2017
- Bracketed Exposures for IR photography - July 19, 2017
Eric Chesak is a physicist, engineer, photographer, and general technophile. He has always been interested in cameras, photography, and optics with several patents and scientific publications on the subject. He’s a full-time consultant, after a successful career in Engineering and R&D management. Eric has been enjoying photography for more than 40 years and began shooting with his grandfather’s rangefinder, 35mm Zeiss Ikon camera. His life-long passion for astronomy and astrophotography spun off to IR photography which developed into a full-blown obsession.
Eric's images are published in Astronomy & other magazines, many websites and on the artwork on a classical music CD. He has also written for several engineering trade magazines and received numerous awards for technical excellence. In addition to his photography hobbies, he enjoys metalworking, machining, and mechanical design and is experienced with CNC machining equipment. In fact, he designs and fabricates some of his own equipment for astrophotography and photography.
You can view more of Eric's IR and Astrophotography at his online gallery.
Eric currently shoots with custom, full-spectrum modified Canon 50D and 5DmkII -- and learns something new every time he shoots a photo.
See All Articles by Eric Chesak
Donald Wildemann says
Nice. I shoot with an IR720 filter and have never been satisfied with my white balance and colors using lightroom and ps. Anyone process images taken with this filter that results in good colors?
Eric Chesak says
What are you aiming for? I shoot almost exclusively B&W with the 720nm filter. But I have had decent sky color results with this filter. I have a few posted here:
https://tinyurl.com/y8nwc43y
I don’t do color IR much. Most of the photos in that link are either directly out of the camera with a CWB and/or have used the color swap technique. But for other, more abstract colors, I’ve used a shorter wavelength filter at about 650nm cut off.