I get contacted on a regular basis from people considering having a camera converted, and often they aren’t sure whether they should go with a converted camera or use an external filter. Last week I was ask how long an exposure would be needed to shoot in Deep Black & White with a wide depth of field. I inquired further what they meant, and the idea was to shoot at f22, ISO 100 with a Deep B&W filter on a converted camera. This is not something people normally do. Normally people will shoot with a low numbered f-stop and a high ISO, which Will produce an image. Since I’ve never tried what was suggested I really had no idea what I was in for.
I have a Deep B&W filter and since it looked like a nice day outside , and I had some time, I thought “Hey, why not find out?”
Well…….. I probably should have checked the weather app on my phone.
Umm, …yeah here’s why
But I didn’t, so let’s just go with it.
I drove to Forest Park here in St. Louis, to the Muny Pavilion, one of the great locations I use for our Intro to IR Workshops here. Just so you know, this is what the location looks like shot with an IR converted camera.
This was made with a Life Pixel converted Canon 7D MKII, using a ND filter, at f22, ISO 100 for 2 seconds.
So, what will it take with an unconverted Canon 7D MKII, using a Deep B&W filter at f22, ISO 100?
Let’s give it, …say 30 seconds. That should do it, right.
Uh, …no
I could have been shooting at night, nothing.
So, I decided to try longer, and my interest and patience in this test were already weaning, as the temperature was feeling awful.
I decided to move way up, 3 minutes. Surely a 3 minute will have to work.
……..no
Still black. And something is starting to smell, and I think it’s me. I then started adding one minute on for each of the next exposures. I’m not going to bore you with 3 black images for 4 minutes, 5 minutes, and 6 minutes, but they were just like before a nice shade of really, really dark.
At 7 minutes, I thought I saw something. When I processed the RAW file using my RAW editor, I was able to up the brightness enough to get this.
If you look carefully, you can start to see something emerging. Really, it’s there, look again. See it?
After 25 minutes of testing in this insane heat, I still don’t have anything worth using, and I am really sure what I am smelling is me, and it ain’t pretty.
So, I kept going, adding one minute to each exposure, until I got to ten minutes. Yes, a ten minute exposure.
And here it is.
This is with the RAW file brightened as much as Digital Photo Professional will allow.
In Photoshop, I was able to get a bit more out of it.
The image is extremely grainy, and there a few areas where the pixels blew out.
So, what did I learn after 52 minutes of standing outside in the heat?
- You can use a Deep B&W filter on an unconverted camera to create an image at f22, ISO100 if you are willing to have a very long exposure, and then end up with a pretty much useless looking image in the end.
- I really should have thought this one through before deciding to try this. AND
- I really need a shower.
Now if I am ever ask this again, I can tell someone the answer to this question. However, I really wish I would have gone with “I dunno”
Latest articles by Dan Wampler (see all articles)
- Seal Bay photoshoot - March 7, 2023
- Major Copyright Infringement site Scroller.com - March 6, 2023
- Kangaroo Island Wallabies and Roos - March 1, 2023
Dan Wampler
Dan Wampler is a digital artist from St Louis, MO. Having been interested in art and photography since childhood, he spent most of adult life working for Kodak and in the portrait photography industry. A student of the works of Ansel Adams, Any Warhol, and David Hamilton, Dan attempted to keep a wide range of artistic style.
As an early adopter of digital imaging, he found it gave him a way to completely incorporate art and photography. Began shooting Digital Infrared in 2004, and had first camera converted in 2006. His work has been seen in numerous gallery shows, is featured in an iTunes app. He produces Infrared and natural color digital art for sale and teaches his post-production techniques online.
Dan is LifePixel's Creative Director, social media manager, lead blog author, main workshops and training sessions instructor. His images appear in this gallery and throughout the website.
If you have a topic suggestion or request feel free to shoot him an email at danwampler@lifepixel.com
Otherwise all LifePixel customer service inquires should be directed to service@lifepixel.com or by phone at 866-610-1710.
View more of Dan's work on his Website | Facebook
See All Articles by Dan Wampler
Davis Strong says
Prior to getting a Panasonic GX-1 Super Blue converted I shot with a deep IR filter on a Nikon D100 which apparently has less than effective IR blocking. It provided a deep magenta image. I generally shot about 1/30 to 1/60 @ f:5.6 400 ISO depending on the day. That would work out to 4 to 8 seconds f:22 ISO 100. Like I said, less than effective IR blocking. My newer Nikons have much better IR blocking giving results similar to yours.
mb says
thanks for sharing. another silly adventure avoided on my end 😀 i am certain to find something else equally funny to delve into.
Sophie Folks says
I love this picture! Which ND filter did you use?
Dan Wampler says
HI, If you are asking what IR filter, it was a Deep B&W filter at 830nm.